About Suzanne Ross
Urushi became a passion with me when I went to see an exhibition of Edo period art in a London museum. Rarely had I experienced such beauty, but it was the rich, soft depths of urushi with its inlays of gold and shell twinkling like stars in the void of space that captured my heart.
I came to Japan in 1984 thinking in my naivety that I could master the art of urushi in three to six months. I have spent over thirty years trying to master urushi only to find it is I who has been mastered. With every layer that I unfold in this fascinating craft, the more layers I find beneath. I have given up trying to conquer but realise instead that this is a lifelong exploration in search of beauty, God and my soul. In time, with patient perseverance, all will be revealed.
Career Highlights
I have been lucky enough to have had a very varied career which apart from making and exhibiting my work has included my passion for education and preserving this wonderful art of urushi. My endeavors are briefly described below.
In 1990 I entered Ishikawa Kenritsu Wajima Shitsugei Kenshujo (Wajima Institute of Lacquer Arts) on a scholarship awarded by the Daiwa Anglo-Japanese Foundation where I studied with master craftsmen for a total of nine years and which ended in 2008. I studied for another year under the tutelage of living national treasure, Kunie Komori on a grant awarded by the Japanese Ministry of Culture. I was awarded another three-year grant in 2016 to enable me to further develop my work in urushi.
Since graduating I have had various solo shows in privately owned galleries as well as regular exhibitions at prestigious department stores such as Takashimaya, Mitsukoshi, Isetan and Hankyu. My work has also been regularly selected for show in public exhibitions including the Asahi Modern Craft Exhibition, the Ishikawa Contemporary Art Exhibition, the Kanazawa Castle Kenrokuen Daichakai Exhibition and the Ishikawa Traditional Craft (Dento Kogei) Exhibition. My work has been exhibited in Wajima Museum of Art, Nanao Art Museum, Ishikawa Prefectural Museum, the 21st Century Museum and the East West Gallery in Hawaii and the Hanoi Art Museum I have also had a solo show at the Ishikawa Craft Museum in Kanazawa. I currently run my own gallery where my work is on permanent display.
I have been commissioned to do work for Meiji Nyugyo Ltd, Yagiken Gendai Butsudan, Paruje and Win Awards Akitsu Industrial Co., Ltd.
My educational activities span from giving lectures to university students at Kanazawa and Fukui Prefectural Universities to public speeches on behalf of universities such as Toyama University and Kyoto Prefectural University. I have spoken at various institutions including the MET in NYC, the Japan Center in NYC, the Daiwa Anglo-Japanese Foundation in London, Durham University and given workshops and lectures at the Morikami Museum in Florida, the Honolulu Art Museum in Hawaii, and the Oriental Museum in Durham, UK. I have given speeches and held workshops for private corporations, ( Pasona Group Inc.) and various associations such as the Kamakura-bori Ichiyo-kai, the Chubu Industrial Engineering Association and the Japan Urushi Association. I have also lectured on behalf of the Inuyama Education Committee and for NPO Urushi-no-yakata in Kyoto. I have taught primary school pupils from as young as nine years old both Japanese and non-Japanese.
Other activities include various television appearances whether as the subject of a documentary, a panelist or as a navigator introducing traditional crafts. I have also appeared in various magazines and given newspaper interviews as well as writing urushi articles. I published my own book in 2016 (in Japanese).
I appear on panels which discuss the problems and future of the Japanese traditional arts. I also like to plant urushi trees as we don’t have enough of them in Japan!
I continue to travel to various urushi areas to network as it is my ambition to link all the different urushi areas in Japan together under one united umbrella which supports craftsmen and educates worldwide about urushi. It is also my ambition to make urushi more accessible to foreigners who wish to study it.
To view full CV click here
Speeches, lectures and workshops
Daiwa Anglo-Japanese Foundation, London UK
Durham University, UK
The Oriental Museum, Durham UK
East West Center Honolulu, USA
Morikami Museum Florida, USA
Honolulu Art Museum of Art, USA
International Center for Japanese Culture, Yokohama, Japan
The Japan Society, New York USA
Kanazawa, Toyama, Kyoto Prefectural, Fukui Prefectural Universities, Japan
Pacific Japan Youth Exchange, Wajima Japan
Colorado Springs Youth Orchestra, Wajima Japan
Yokohama International School, Yokohama
Vietnam National Museum of Fine Art, Vietnam
Metropolitan Museum New York, USA
Takaoka, Tonami and Wajima Art Museums, Japan
Inuyama Education Committee, Nagoya Japan
NPO Urushi-no-yakata, Kyoto Japan
Kamakura-bori Ichiyokai, Tokyo Japan
The Asiatic Society of Japan, Tokyo Japan
The Urushi Association, Tokyo Japan
Chubu Industrial Engineering Association, Nagoya Japan
Pasona Group Inc., Tokyo Japan
Kanazawa Udatsuyama Kogei Kobo, Kanazawa Japan
Hokkoku Shimbun, Kanazawa Japan
Commissions
Meiji Corporation
Yagiken Gendai Butsudan
Paruje Jewellery Ltd
Win Awards Akitsu Industrial Co., Ltd
Takashimaya Department Store
Shiawase-no-ie, Komatsu community centre
Solo exhibitions
Takashimaya Department Store, Yokohama, Nagoya, Kyoto and Namba branches
Mitsukoshi Department Store, Nihon-bashi and Ebizu branches, Tokyo
Hankyu Department Store Umeda branch, Osaka
Isetan Department Store Shinjuku Branch, Tokyo
Asaka Gallery, Osaka
Bazare Gallery, Hiroshima
Jinai Machi, Osaka
Yamaboshi Gallery, Hakone
Tonelico Gallery, Kanazawa
Ishikawa Prefectural Traditional Craft Museum, Kanazawa
Kinpaku Ima gallery, Kanazawa
Selected public exhibitions
Competitive exhibitions where the artist is only allowed to enter one or two pieces before a selection committee for public exhibit in museums and galleries:
Asahi Modern Craft Exhibition, Osaka
Ishikawa Contemporary Art Exhibition, Kanazawa
Ishikawa Traditional Craft (Dento Kogei ) Exhibition, Kanazawa
Kanazawa Castle Kenrokuen Daichakai (tea ceremony) Exhibition, Kanazawa
Ishikawa Design Center- Selection, Tokyo & Kanazawa
The Ishikawa International Urushi Exhibition
Awards and Prizes
1990 Scholarship awarded by the Daiwa Anglo-Japanese Foundation
2008 Prize awarded for work selected for the 14th Kanazawa Castle Kenrokuen Daichakai (tea ceremony) Exhibition
2008 Awarded a research grant by the Japanese Ministry of Culture to conduct research on techniques associated with the export of urushi work and to extend my knowledge of the techniques of Wajima nuri under the recommendation and tutelage of the Living National Treasure Kunie Komori
2009 Awarded prize in the 15th Kanazawa Castle Kenrokuen Daichakai (tea ceremony) Exhibition 2009
2010 Awarded the Ishikawa Prefectural Governor's Prize in the 16th Kanazawa Castle Kenrokuen Daichakai (tea ceremony) Exhibition
2011 Prize awarded in the JTO Jewellery Design Contest, Tokyo
2014 Artist in Residence at the East West Center in Honolulu, Hawaii
2016 Awarded a three year business grant by ISICO, Ishikawa Prefecture to develop and promote my work
2016 Prize awarded for work selected for the 22nd Kanazawa Castle Kenrokuen Daichakai (tea ceremony) exhibition
2019 Hokkoku prize for work selected for the 75th Ishikawa Contemporary Art Exhibition
In the Press
Spanning over three decades as an urushi artist, Suzanne is regularly featured in the media.
A list of publications and features can be viewed here.
AC Japan (Advertising Council of Japan)
July 2019
Is Japan Cool? by ANA (All Nippon Airways)
We are Tomodachi magazine by the Japanese Government
In spring 2019, Suzanne was featured in the ‘We are Tomodachi' magazine by the Japanese government. Read the article here.
NHK World
In 2010, the Japanese national broadcaster NHK World ran a documentary about Suzanne and her work.
Publications
In 2015 I wrote a book in Japanese which describes my journey to discover my passion for urushi, its beauty, origins and vulnerability in the modern age of technology. I go on to say why I feel the urgency to preserve this important traditional art for future generations, not only Japanese people but for humanity.
My book ‘Urushi ni Miserarete’ (Fascinated by urushi) was published in 2015. A copy can be ordered here.
Suzanne has also written various articles, the most recent of which was a feature on The Art of Traditional Japanese Maki-e for The Morikami Museum’s news magazine, Fall / Winter 2018 edition.