Fine Art using natural lacquer

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Fine Art

I started to experiment with Echizen-washi after I was presented with some as a gift after a lecture I gave in Fukui. Although the washi was very beautiful, it was far too thick to be used in urushi and whilst it was too valuable to throw away, I felt that as it was, it was lacking something. The beautiful textures in the handmade paper beckoned me to paint on it like a canvas.

Instead of using paint I felt that I would like to try using urushi although it would be a huge extravagance because of the large quantity of urushi needed. The paper guided me as to where to apply the urushi which rapidly soaked into it. After drying the urushi, I found that the painted areas had become waterproof so I was able to build up subsequent layers including application of shell and gold leaf.

Echizen-washi has a history dating back over four hundred years as does the Kanazawa gold leaf production and together with Wajima-nuri techniques, I jokingly call this traditional art but by using these traditional materials in a new way to fit in with modern lifestyles, it has become not only exciting but very rewarding.

 
CORE, Echizen washi with urushi and shell inlay

CORE, Echizen washi with urushi and shell inlay

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MAGICAL MOON, Echizen washi, urushi and gold leaf

MAGICAL MOON, Echizen washi, urushi and gold leaf

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INNER SANCTUM, Echizen washi, urushi and gold leaf

INNER SANCTUM, Echizen washi, urushi and gold leaf

 

 
 

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