The Story of Lacquer and Lace

SHADOW AND LIGHT Kanshitsu dish with lace inlays and gold maki-e

SHADOW AND LIGHT Kanshitsu dish with lace inlays and gold maki-e

The Story of Lace

I started using lace as an alternative to linen for reinforcement because of my best friend’s wedding. I wanted to give the newlyweds a pair bowls but I wanted them to be able to distinguish between the two. In Japan the female’s bowl is smaller than the male’s but I wanted them to be the same size. I decided to use some lace that I had bought in Paris to show the difference. I really liked the texture created by the lace so I continued to apply different kinds of lace to wooden bowls using tame-nuri to highlight the patterns. After a while I began to wonder if I could make bodies out of just lace using the kanshitsu technique and I succeeded in making a brooch but I didn’t like the edgeswhere the lace had been cut so my next project was a small incense container where I inlaid linen string around the edges to overcome the rough finish. My next challenge was to make something bigger than the width of the lace and I created windows in a kanshitsu body and inserted panels of lace into them.

Silver and lace brooch

Silver and lace brooch

Applying lace to a wooden bowl with urushi and rice glue

Applying lace to a wooden bowl with urushi and rice glue

Sealing the lace with clay and urushi, and then sanding

Sealing the lace with clay and urushi, and then sanding

SCENT OF PARIS lace and gold incense container

SCENT OF PARIS lace and gold incense container

First coat of tamenuri (clear urushi applied over red base)

First coat of tamenuri (clear urushi applied over red base)

SHADOW AND LIGHT Kanshitsu dish with lace inlays and gold maki-e

SHADOW AND LIGHT Kanshitsu dish with lace inlays and gold maki-e